We’ve stretched the reverb trails out to their absolute limit, with the maximum decay time almost freezing your signal in space. Extreme settings evoke warm synthesizer pads, reminiscent of vintage analogue-digital hybrids, holding your modulated note indefinitely. Combine all that with a full wet-dry blend and a warm preamp circuit, and you’re beginning to feel the gravity of the Sinkhole.

Controls

• FDBCK: This control has a dual function; in addition to adjusting the amount of feedback in the chorus circuit, it also controls the depth of the chorus.
• MIX: This is your standard wet-dry blend – With the setting down, the clean signal runs through the Sinkhole’s onboard preamp, and with the mix dial up, all you hear is reverb, all the time!
• MOD: This controls the rate of the chorus modulation. Setting this control to the minimum slows the LFO down to a barely noticeable rate. Increase for a more dramatic effect.
• VERB: This adjusts the decay time of the reverberated signal. Turning this up to the maximum gives you near-infinite sustain.
• VOL: Adjusts the gain of the onboard preamp. You can use this as a fine clean boost with or without the reverb, if you wish.

• Versatility – The pedal features everything from comb filtering to pseudo-phaser to haunting auto-filtering.
• Feedback Control - The feedback control allows the Sinkhole to reach deep within the reverb to extract some truly otherworldly tuneable modulation!

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